Deb Elkink - The Third Grace - Author Interview

Author Interview

1. Who is the plot based around?
MARY GRACE KLASSEN (a.k.a. AGLAIA) is a big-city costume designer; FRANÇOIS VIVIER (a French summer exchange student) jilted Aglaia when he fled back to Paris fifteen years ago; DR. LOU CHAPMAN (Aglaia’s mentor) is a self-serving professor; EBENEZER MACADAM (Aglaia’s boss at Incognito Costume Shop) is a fine, mystical old gent who has her best interests at heart.

2. What is the main idea of the plot?
A costume designer, overwhelmed by memories of the summer she was seventeen and fell in love with the French exchange student visiting her parents’ farm, discovers amorous notes he jotted long ago into the margins of a Bible he left behind. She’s now on her way to Paris looking for her old flame—and herself.

3. When does the plot take place?
The story unfolds in “Aglaia’s” world today, with many flashbacks to the summer “Mary Grace” was seventeen.

4. Where does the plot take place?
The Third Grace is set on the streets of Paris, a farm in the sand hills of Nebraska, and the city of Denver.

5. Why did the plot develop the way it did?
My characters have strongly juxtaposed values. Aglaia, running from her past but unable to escape the memories, views her mentor as a model of success and the key to artistic validation; meanwhile, Dr. Lou Chapman is playing her. Eb MacAdam, Aglaia’s boss with his own life regrets, has plans to prosper her and give her a hopeful future. The plot grows out of the dark mythology that François murmurs into Aglaia’s ear, twisted in with elements of death, abandonment, and avarice, with friendship, faith, and family.

6. How did you come up with the idea for the plot?
I discovered a marble statue grouping in the Louvre on my first trip to Paris in 1989—a Greek Renaissance sculpture by James Pradier of The Three Graces. These goddesses became iconic for me and I decided to arrange my debut novel around them, as they symbolized the relationships between women as well as the twisted spirituality implicit in mythology—both relationship and theology of great interest to me. I was at this time still living on our isolated cattle ranch on the Canadian prairies, and the contrast between city and country, aesthetics and common sense, sophistication and practical living really hit home. I’d succumbed to the enchantment of French culture (the cuisine! the couture! the romantic language!) and wanted to explore the contrast between it and my own heritage rooted in the Mennonite faith—to say nothing of my intention to relive that teenaged feeling of falling in love.


Book Summary

Back when she was seventeen, Mary Grace fell in love with the French exchange student visiting her family’s Nebraska farm. François renamed her “Aglaia,” after one of the enchanting Three Graces of Greek mythology, and set her heart yearning for something more than her parents’ simplistic life and faith. Now, fifteen years later, Aglaia designs costumes in Denver, and her budding success in the city’s posh arts scene convinces her that she’s left the farm girl far behind. But “Mary Grace” has deep roots, as Aglaia learns during a business trip to Paris. Her discovery of sensual notes that François jotted into a Bible during the long-ago fling, a silly errand imposed by her mother, and the scheming of her sophisticated mentor all conspire to send her on a dual journey across oceans and time in a search for herself.

Price: $14.99
Pages: 306
Genre: Contemporary Women’s Fiction
Publisher: Greenbrier Book Company
Release Date: December 1, 2011
Buy Links: Amazon, Kindle, Amazon Canada, Barnes and Noble, Nook, Chapters/Indigo, Kobo


Author Bio

When author and city-slicker Deb Elkink fell in love and married an introverted cowboy, she moved from her bright lights to his isolated cattle ranch far off in the prairie grasslands. Still—between learning to pilot a light aircraft, sewing for a costume rental store, and cooking for branding crews of a hundred—Deb graduated with a B.A. in Communications from Bethel University in St. Paul, MN; she also holds an M.A. in Theology (both summa cum laude).

Her award-winning debut novel, THE THIRD GRACE, is set in the contrasting locales of Parisian street and Nebraskan farmyard, and incorporates Greek mythology and aesthetics with the personal search for self. Her writing has been described as “layered and sumptuous,” “compelling,” and “satisfying.”

Links to connect with Deb:
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Elisabeth Doyle - War Stories: Short Fiction - Author Interview & Giveaway

About the Book

We all carry our own battle scars.

This is the premise of War Stories, a rich collection of short fiction that draws upon both the literal and figurative meaning of its title. Through a diverse array of characters, settings, and circumstances, War Stories delivers a series of powerful tales from the home front of war: the stories of parents, siblings, and spouses of those who have fought, as well as those who have returned from battle.

Set against the backdrop of contemporary conflicts, War Stories’ compelling nine narratives tell of a wounded veteran who seeks renewal through an imagined relationship with a neighborhood girl, a grieving father who finds peace and reconciliation at the site of a disastrous bus crash, a young woman who searches for identity and meaning in the wake of her husband’s injury, and an urban teenager engaged in a fateful standoff with local recruiters. Interspersed with these tales are powerful, non-traditional “war stories” – of youth, unexpected loss, and heartbreaking love.

War Stories’ thoughtful and beautifully crafted tales, which range in style from deceptively simple to rich and complex, tell of people young and old, male and female, who share two things: humanity and resilience. These diverse and deftly written stories are joined through Elisabeth Doyle’s remarkable style and ease in creating a universe full of despair, hope, and dreams. At turns tender and harsh, tragic and yearning, these stories will leave you wanting more.

Author Interview

1. Please tell us about your current release.
War Stories is a lean collection of short fiction – nine stories – many of which are set against the backdrop of contemporary conflicts, including the war in Vietnam and current wars.

2. Can you tell us about the journey that led you to write your book?
In January 2002, I traveled for the first time to the country of Vietnam. I went there on a bit of a lark – a childhood friend of my mother’s was working there and had extended a kind of “open invitation” to visit. For some reason, I decided to go. Maybe I shouldn’t say “for some reason” – I was born during the war in Vietnam, and the conflict endured throughout my early childhood. I had vague memories of the images of war that flickered on our small television screen each evening. Usually, these images were mere background to our lives – they played out as my mother cooked dinner. No one seemed to pay great attention. I also had vague recollections of the scenery of Vietnam – some mountains and a village. I’m not sure where or when I saw those early childhood images – perhaps on a news program, or in a later documentary.

In any event, I traveled to Vietnam in 2002, and it’s safe to say that the experience changed my life, and opened for me new doors of interest, of passion, and of compassion. I returned with a deep and abiding interest in the war in Vietnam, its history, and its effect on American soldiers and Vietnamese citizens. I read – and continue to read – anything that I can get my hands on regarding the war. I focused primarily on first-hand autobiographical accounts by soldiers.

I had a background in fiction writing, but hadn’t written a short story in years. When I relocated to Washington in late 2006, I resolved to return to writing, mostly at the urging of my mother and grandparents. Away from the distractions of family and familiarity, in a new city, I was able to find the peace in which to write. It should be noted that I did not set out to write a collection of short stories on the topic of war. In fact, I did not set out to write a collection, at all. I just wrote – one story after another. And what I found, as I wrote, was that the theme of war continued to assert itself in each of these stories, in one way or another. After years of reading and learning, war had apparently become the foremost, organizing principle in my mind; the circumstance around which all other things revolved. It emerged as a theme that linked all of the new stories that I wrote, without conscious or deliberate effort or planning on my part.

It should be noted that these are not combat stories, nor do they attempt or purport to be historically accurate or to give voice to the actual experience of those who have fought. Only those who have had to fight, or who have lived in a war zone, can truly understand that experience. These stories are just that – stories – written with the deepest respect and empathy for those who have found themselves in such extreme circumstances, and who have faced the kind of difficult, unforgiving choices that most of us can only imagine.

3. Can you tell us about the story behind your book cover?
Sure. Well, suffice it to say that the book cover underwent a lot of changes, much to the annoyance of the cover designer, who (nonetheless) was a wonderfully good sport about it. It was important to me to create a cover that was NOT obviously rooted in or reflective of the topic of war. This was so because, first, the title “War Stories” is used both literally and figuratively. That is, while the majority of stories in the collection are set against the backdrop of war, other stories are not. These additional tales reflect “war stories” of another kind – the kind that we might all experience. So I wanted the cover to encompass all the themes in the book.

I chose to use a triptych of photos - a series of photos that could each be traced, if a reader so desired, to one or more of the stories in the collection. The characters in the photos are loosely representative of several of the characters in the book.

4. What would you say is your most interesting writing quirk?
I tend to write in a “spare” style, and make a deliberate, conscious effort to avoid sentimentality or over-statement of any kind. That’s just me. I don’t know that I succeed, but I try to convey the characters’ circumstances and states of mind without excess or manipulation of the reader. I also deliberately write without any “message” or agenda in mind. None of these stories, even those that are set against the backdrop of war, are intended to convey any kind of political message, and none of them were written with any kind of agenda or judgment. I wouldn’t even begin to know how to write a story with an agenda or message in mind. In general, I write short stories as a series of vignettes – as moments in time, things that happened - from which the reader can draw his or her own conclusions, messages, etc. I prefer to leave the interpretation of the “meaning” of my stories in the hands of the reader.

5. Open your book to a random page and tell us what’s happening.
I did as you asked and opened the book to a random page. It happens to be the first page of the story “The Deepest, Darkest Part of the Woods,” on page 53. This happens to be one of my favorite stories, and one of the last in the collection that I completed. It’s one of the stories in the collection that takes the most risks, I think, and revolves around a young veteran who returns to his suburban neighborhood and struggles to re-integrate. This first page is also one of my favorites in the book, as it describes the return of this young man – and others like him – into a familiar setting that is now entirely unfamiliar to him.

***

War Stories: Short Fiction can be purchased at:
MyBookOrders.com

Price: $14.95 paperback
ISBN: 9781937928407
Pages: 119
Release: August 7, 2012


About the Author

Elisabeth Doyle is a writer and attorney living in Washington, D.C. She studied fiction writing at Sarah Lawrence College and the University at Albany, and is completing a Masters of Laws Degree at Georgetown University Law Center. Ms. Doyle’s short fiction was published in the literary journal Nadir and was awarded the University at Albany’s Lovenheim Prize for best short fiction. Her first short film, Hard Hearted One, was admitted into the Philadelphia Festival of World Cinema and the Street Films Film Festival, and was shown on Public Television and Manhattan Cable. War Stories is her first collection of short fiction.

Connect with Elisabeth:
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Dr. Gerry Steiner - Gotta Call BS on That One - Guest Post & Giveaway

About the Book

Was missile defense started to save the free world or start a new empire? Do religions help us understand God or help keep God a mystery? Do schools prepare us for life or delay our lives? Does Congress help protect us or help exploit us? Has there ever been any BS involved in any of the above? Have we embraced or challenged the BS.? Could we make a difference? Would we want to make a difference?

Whether reading a newspaper, watching TV, or listening to a song, we are probably observing and absorbing a certain amount of BS. Do we recognize it, realize it, reject it or absorb it. This book provides a beginning to considering these questions. It can provide a basis for understanding, a basis for action, a cause of laughter, a foundation for tears, or some combination. This book often states the obvious, but it’s the obvious that often we collectively don’t seem to own up to. Much of the strife of life, the inequities of the world, even the causes of wars and disasters of the economy might be rooted in our collective self-deception.

The adventure starts with a reflection on a fairy tale from our childhood and one from Washington. It then joins a pair – a professor and his young assistant on an American adventure. They look at such topics as social interaction, sports professional and local, and our individual fitness. Business and education provide many examples and insights. Next, religion and science provide contrasts and similarities.

Government, politics, the legal system, and military service complete this brief trip. In each area, the presence and effects of BS are noted. The final section is devoted to the three greatest downfalls of society in the last century. They are identified and their drastic effects on our society are briefly examined.

Guest Post

Have you ever wanted to stand up during a speech, lecture, sermon, advertisement and just yell. You weren’t being directly harmed or attacked. Nothing was physically being stolen from you. No one was demanding your mind or your money. Just the same, you felt violated in a very real sense. BS steals from us all. Pretending to accept the false makes it harder to trust the authentic.

It seems very important that we know what is real and what is BS. It is also important that those that generate BS, (we all do some) realize that they’re not fooling anyone. It would really mess things up if all BS were challenged and rejected, but it might be useful if it were identified and acknowledged. As I started to collect my thoughts, I was almost overwhelmed by the examples and challenges that life presents us. Almost every area of our experience is affected. In the book I have not put much emphasis on politics. As we proceed in this election year I am sure that we will have ample opportunity to find “sterling” examples. (Sterling BS is sort of an oxymoron!)

As we proceed we’ll need active participation to make this the best experience. Maybe we can have some awards on the blog for different classes of BS. Your suggestions are encouraged. As with any blog, it is your participation and our interaction that will provide the richness.

I have spent much of my life being frustrated by the BS and by the frequent pretense that the BS is reality. Through the book and this blog I want to challenge this. I believe most of us recognize BS when we stop and think about it. I’ve often felt that putting up with BS is societies definition of maturity and wisdom. I don’t think most of us really feel that way. This is an effort to observe, laugh and possibly change.

Throughout the book you will see a wagging finger beside the text. There was a small group of us at work that would silently use this finger wagging as means to silently, but visibly, point out BS when we see or hear it. It would be great to establish this as a nationally recognized and accepted symbology, It might even become an effective way of communicating our knowledge and feelings to those that provide the BS.

Maybe we can also create a list of BS. Postulates. The first might be: “If you wonder if it’s BS, it almost certainly is!”

Please enjoy. Laugh at the BS, act but don’t get mad!

***

Gotta Call BS on That One can be purchased at:
MyBookOrders.com
Kindle
Nook

Click here to read an excerpt.

Price: $13.99 paperback, $6.99 ebook
ISBN: 9781937928919
Pages: 178
Release: August 5, 2012


About the Author

Gerry Steiner has enjoyed a life that is varied in location, vocation, and activities. He started in the land of tradition and history, Hampton, Va., the oldest continuous English speaking settlement in the United States. After high school and eighteen years surrounded by history. Gerry was ready to venture away from Virginia. After considering Cornell, he caught a train to California and went to Caltech. He left Caltech after a couple years to work in seismic oil exploration. His Uncle invited Mr. Steiner to visit Asia. Gerry picked the Navy as the best way to get there. This kept him busy for ten years. A year of Navy school as an electronics technician started the process. Fortunate circumstances led him to his wife and “stability?” for the next 40 years. Gerry then finished his BS and an MS in oceanography before sailing for Vietnam, There gunfire support and chasing aircraft carriers kept him in touch with the real world. Receiving fuel and supplies at sea gave him an appreciation for close quarters’ steerage. A pleasant break provided a week in Olongapo followed by a week in Hong Kong. His wife, Marilyn joined him.

After the Navy and back in Seattle he continued his work in sonar research at the UW Applied Physics Laboratory. He started work on a PhD in electrical engineering. He made sonar measurements from an ice floe in the Arctic Ocean north of Barrow, Alaska. Two visits by polar bears approaching to 20 ft. added to the excitement Dr. Steiner moved to Ridgecrest, CA where he held a position at China Lake Naval Weapons Center. Several years in automatic target recognition included radar field measurements from Pt. Loma, San Diego. Next he started the Airborne RF Targeting Branch. Gerry also completed his doctorate in electrical engineering.

From China Lake Dr. Steiner ventured off to Denver, Colorado to join Martin Marietta. The initial year in Denver was focused on space based radar plans. A movie and a president changed his focus. The movie was Star Wars, the president was Reagan, the focus became the Strategic Defense Initiative. He spent the next decade on issues related to SDI. After the space based interceptor there was a space based laser concept. His efforts contained analysis, management, design, and testing. A couple years were spent developing a new rocket to provide a re-useable single stage to orbit vehicle. Only physics stood in the way.

Gerry’s wife was diagnosed with stage IV pancreatic cancer and given six months to live. They had great times that were ended. Dr. Steiner moved to Maui five years ago. He has written this book to share his observations on how the world works and how it could work better.

Connect with Gerry:
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Blog
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Booking Through Thursday

Booking Through Thursday

Do you find yourself thinking that the books you read would be good on film? Do you wish the things you watched on TV or in the movies were available as book?

I always liked reading a book first before it hit the big screen. Shows I watched on TV never interested me in it becoming a book.

Tamelia Tumlin - Deadly Image - Guest Post

Guest Post
Plotter, Pantser or Somewhere In Between?

First, I’d like to thank The Plot Thickens for the opportunity to be a guest blogger. It is an honor to be here and meet your readers.

As an author I’ve been asked many times how do I begin when I write my books. Do I plot? Am I a pantser? Let me start off by saying I’ve never been one to conform to the rules in anything, so that includes my writing. Some writers will tell you they meticulously plot out every detail of their story ahead of time and know exactly how each scene will play out. I wish I could say the same, that’s not really my style. Other authors will tell you they never plot out anything and simply write by the seat of their pants and edit later. Again, I wish I could say the same. Still not my style.

I have used many techniques when plotting my stories. Once I was so enthralled with one author’s method of using colored sticky notes to plot out each strand in their story that I promptly went out and bought a poster board and a stack of colored sticky notes. I had the best time coordinating colors and jotting down notes about each scene. Green would be internal conflict. Yellow external conflict. Pink love emotions. Well, you get the picture. The lovely board was displayed in my living room for several months while I worked on my book. Unfortunately, I rarely used the board and realized I had simply just enjoyed organizing and playing with the sticky notes.

When I started writing Deadly Image, I had a nice little white board plastered to my wall with a dry erase marker and several written notes about my novel. It was similar to the way they do on the crime scene shows where they have pictures or notes about the case on the wall at the precinct. I will say my board made for an interesting conversation piece when visitors (who didn’t know I wrote books) would come over and see things like “three year old missing from daycare”, “woman on meds for anxiety disorder” or “body found in the bayou”. Seriously. That board led to more than one embarrassing moment until I explained its purpose.

I guess you could say my style of writing is a combination of both plotting and pantsing. My plot outline is the bare minimum. I generally know how my story will start, what the characters’ internal and external conflicts are and how the book will end. That’s pretty much it. The rest is pure fly by the seat of your pants writing. As I begin a scene the story plays like a movie in my head. I visualize the characters in the scene, listen to what they have to say, watch how they act and react, tap into to how they feel and write it all down. I do edit as I go which slows down the writing process a little, but in the end I don’t have quite as much rewriting to do which is great. So, the bottom line is I’m an “in between” kind of writer. A little plotting, a little pantsing and whole lot of staring at the computer screen while the story plays out in my head. But, it gets the story written and that’s what’s important. So what kind of writer are you? A plotter? A pantser? A stare at the blank page on the computer screen until inspiration strikes?


About the Book

Gone without a trace...

Lexi Yates knows she hasn’t harmed her three-year old daughter, yet the Louisiana town of Gator Bayou seems to think she’s guilty. With her daughter missing, the evidence stacking up against her and her faith in God tested to the limit, Lexi must find a way to convince FBI agent Ace Valdez she’s innocent before she becomes the next target.



Ace Valdez doesn’t trust easily, and he certainly knows better than to fall for a case, yet there’s something about the widowed mother that makes him want to believe she’s innocent, but evidence doesn’t lie. Or does it?


Pages: 113
Publisher: Steel Magnolia Press (July 6, 2012)
Sold by: Amazon Digital Services, Inc.
Language: English
ASIN: B008IJ5FPA
Buy Link: Amazon


About the Author

Tamelia Tumlin sold her first story to Dogwood Tales Magazine many years ago while taking a creative writing course in college. The short story titled "The Traveler" was the feature story for that edition. After graduating college in elementary education, life, a teaching career and a wonderful son consumed most of her time. However, in the past couple of years, the yearning to pen fabulous romantic tales of to-die-for heroes and spirited heroines has taken over. Ms. Tumlin has worked with several online publishers, but she is now writing for Steel Magnolia Press. Juggling motherhood, teaching and writing is a challenge, but one she welcomes to pursue her passion. Her novels range from sweet and sassy to dark and dangerous.

Links to connect with Tamelia:
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Web site (publisher)
Facebook
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Feature&Follow

Feature&Follow

Q:
Do your reading habits change based on your mood?

Sometimes it does but I like to mix it up a lot.

Do you read a certain genre if you are feeling depressed or happy? 

Again, I have to say I read a lot of different genres and if at the time I can pick and choose.

Brenda Stanley - The Color of Snow - Guest Post & Giveaway

About the Book

Can a troubled young girl reenter society after living in isolation?

When a beautiful 16-year-old girl named Sophie is found sequestered in a cage-like room in a rundown house in the desolate hills of Arbon Valley, Idaho, the entire community is shocked to learn she is the legendary Callidora--a baby girl who was kidnapped from her crib almost seventeen years ago and canonized in missing posters with portraits of what the fabled girl might resemble. Authorities soon learn that the cage was there to protect people from Sophie, because her biological father believes she is cursed.

Sophie is discovered after the man she knows as Papa, shoots and injures Damien, a young man who is trying to rescue her. Now, unsocialized and thrust into the world, and into a family she has never met, Sophie must decide whether she should accept her Papa’s claims that she is cursed and he was only trying to protect others, or trust the new people in her life who have their own agendas. Guided by a wise cousin, Sophie realizes that her most heartbreaking challenge is to decide if her love for Damien will destroy him like her Papa claims, or free her from past demons that haunt her mind.

Guest Post

The Color of Snow has been described as dark or mysterious. I feel most of my writing fits this description because I enjoy looking at the strange and unusual things in life. My novel will definitely make some people uncomfortable. I like to look at situations and issues and try to figure out how people will react. For years I was a crime reporter, so I enjoy investigating stories and learning about the parts of life most people try to hide. When I wrote The Color of Snow, I was working on a story about a young girl who went missing years ago and has never been found. I started thinking about what would happen if she were to suddenly show up now. I loved putting myself in Sophie’s shoes and seeing things for the first time.

Sophie’s relationship with Damien is both intense and tempered. Her father has raised her to believe that she will destroy anyone who truly loves her, so she is torn between her love for Damien and her fear of causing him harm.

The story changes between what is going on with Sophie and what happened in her parent’s past that brought her to where she is. I wanted readers to experience the often isolated feeling of living in a vast rural area, but also the mental confinement of a small town.

Mental illness, teen pregnancy, religious intolerance, and racism are all big parts of The Color of Snow. I like my characters to face challenges and see them grow from them. It is not only the conflicts with the other characters that keeps the story going, but also those within the person’s own mind.

***

Click here to read an excerpt.

The Color of Snow can be purchased at:
Kindle
Nook
iBookstore
Google
Smashwords
PDF

Price: $2.99-$4.99 ebook
ISBN: 9780983741893, 9781476172309
Pages: 413
Release: June 1, 2012


About the Author

Brenda Stanley is former television news anchor and investigative reporter for the NBC affiliate in Eastern Idaho. She has been recognized for her writing by the Scripps Howard Foundation, the Hearst Journalism Awards, The Idaho Press Club and the Society for Professional Journalists. She is a graduate of Dixie College in St. George, Utah and the University of Utah in Salt Lake City. She is the mother of 5 children, including two sets of twins. Brenda and her husband Dave, a veterinarian, live on a small ranch near the Snake River with their horses and dogs.

Connect with Brenda:
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Facebook
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Blog Tour Site


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